• Lionel Abel, Our Man In The Sixteenth Century : Michel de Ghelderode, in The Tulane Drama Review, volume 8, n° 1, New Orleans, automne 1963, pp. 62-71. 
  • Luc André, Michel de Ghelderode, in The contemporary theatre in Belgium, Belgian Review, Bruxelles, juillet 1970, pp. 74-78. 
  • Samuel Draper, Michel de Ghelderode : A Personal statement, in The Tulane Drama Review, op. cit., pp. 33-38. 
  • Samuel Draper, An Interview With Michel de Ghelderode, in The Tulane Drama Review, op. cit., pp. 39-50. 
  • Renée Claire Fox, A Belgian Journal, in Columbia University Forum, V, New York, hiver 1962, pp. 14-15. 
  • Jean Francis, Michel de Ghelderode dramatist, in Chrysalis, volume III, nos 3-4, New York, 1949, pp. 3-9. 
  • Alexander Gray, Heer Halewyn : A Comment, in Delta, n° 3, Amsterdam, automne 1961, pp. 56-59. 
  • George Hauger, Dispatches From The Prince Of Ostrelande, in The Tulane Drama Review, op. cit., pp. 24-32. 
  • Helen Hellman, "Splendors of Hell" : a tragic farce, in Renascence, Milwaukee, automne 1967, pp. 30-38. 
  • Helen Hellman, The Fool-Hero of Michel de Ghelderode, in Drama Survey, n° 3, Minneapolis, hiver 1965, pp. 264-271. 
  • Paul Hellyn, Solitude and Michel de Ghelderode, in International Theatre Informations, International Theatre Institute, Paris, été 1972, pp. 12-16. 
  • Joseph Kadijk, Michel de Ghelderode. Growing American Interest in Belgium's Most Controversial Playwright, in Belgian Trade Review, n° 8, Bruxelles, septembre 1962, p. 8 et p. 30. 
  • Jack Richardson, Neglected playwrights - I. Michel de Ghelderode, in Theatre Arts, New York, août 1962, pp. 22-24. 
  • John Simon, Play reviews, in Theatre Arts, op. cit., pp. 58-58. 
  • Auréliu Weiss, The Theatrical World Of Michel de Ghelderode, in The Tulane Drama Review, op. cit., pp. 51-61. 
  • George E. Wellwarth, Ghelderode's Theatre of the Grotesque, in The Tulane Drama Review, op. cit., pp. 11-23. 
  • David Willinger, Introduction, in The Siege of Ostend. The Actor makes his exit. Transfiguration in the circus, Host Publications, inc., Austin, Texas, 1990, pp. 1-41. 
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    Vidéo 
     
  • Sire Halewyn. "Rider of the Snow", Ianos Theatre Company, septembre 1997, mise et scène et adaptation de Constantinos Arvanitakis, traduction de Natalia Capodistria, enregistrement (extraits) sur cassette vidéo (VHS), 29' 40''. 
  • School for Buffoons, Art-Vic Theatre, Londres, novembre 1997, direction Victor Sobchak, enregistrement (extraits) sur DVD, 25' 15''. 
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